Archimede De Martin provides impressive violin parts in La Suspension Ethéréenne, Pas A Pas and Escamotage. The album also features three notable guests. To my amazement, I experienced a similar feeling of excitement and bewitchment when listening to the 2015 debut album of French duo Alco Frisbass.Īlco Frisbass is made up of Fabrice Chfab Chouette, who provides keys, guitars, voice, percussions and whistles, and Patrick Paskinel Dufour on Fender Rhodes, keys and drum programming. I was already a huge fan of their brand of Canterbury prog, and watching their live interpretation of many of the tunes from Of Queues and Cures was truly compelling. Many years ago, I was fortunate enough to witness National Health on stage as a support band to UK. And thank you to all the artists that make it possible.La Suspension Ethéréenne (10:34), Pas A Pas (6:42), Induction Magnétique (9:08), La Danse Du Pantin (7:43), Escamotage (12:17), Judith Coupeuse de Tête (9:08) I hope the joy of music enriches your life like it does mine. The benefits I gained from them are invaluable. It changed my life and gave me the ability to think and write better. (But one is under "Gregory Applegate Edwards.") I went to music and higher education schools and got degrees. Just type in "Grego Applegate Edwards" to find them. I have thirteen volumes of compositions available on. I do happen to like a set of certain musics done well, so it's not everything released that gets coverage on these blogs. I have no affiliations and gain nothing from liking what I do, so that makes me somewhat impartial. The music is chosen because I like it, for the most part, so you won't find a great deal of nastiness here. My combined Blogspot blogs (as listed in the links) now cover well over 3,000 recordings in review. I wrote for Cadence for many years, a periodical covering jazz and improv music. Gustavo Leguizamón, El Cuchi Bien Temperado, Pablo.Ĭape May, New Jersey, United States I am a life-long writer, musician, composer and editor.Last Exit, Iron Path, with Sonny Sharrock.The Spanish Donkey, Raoul, with Joe Morris, Jamie.Merzbow, Mats Gustafsson, Thurston Moore, Balazs P.Hutto & His Hawks, Hawk Squat, with Sunnyland. Alessio Alberghini, Garrison Fewell, inVerso.Bud Tristano, Connie Crothers, Primal Elegance.Metallic Taste of Blood, Doctoring the Dead.United Slaves #2-3, Vinnie Paternostro, Gene Janas.For all those reasons I recommend the album to you heartily.
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It's an album of good music, excellent guitar playing, excellent bass work, plus it goes someplace with the Gypsy style that other groups have not. Both guitarists can solo well, the bass playing is very fine and then there is one cut where they are joined by Tobey Sol LaRoche on percussion and vocals for a Gypsy swing version of the soul classic "Could it Be I'm Falling in Love," something unexpected but a refresher given its one-off nature. Harrist on upright bass and vocals, and Jack Soref on guitar. The musical threesome consists of Richard "Shepp" Sheppard on guitar and vocals, Michael K. Nonetheless all of it has original directionality. It is no accident that the album cover proffers the music as "Gypsy Flamenco Swing," because there is a flamenco element to be heard, too. But the solos both partake in the Reinhardtian style while they extend it and go beyond it. There is the solid chunk of rhythm acoustic guitar which is so important a part of the style, there is solid bass backing, though much more adventuresome than typical of Gypsy style jazz as we ordinarily hear it, and there is virtuoso, extroverted lead acoustic guitar to be heard as one might expect. We can hear a clear development happening with the trio Ameranouche and their album Sunshine Soul (Red Squirrel Records). Remakes are fine and have a place in reintroducing and popularizing various styles, but ultimately when such as style begins to progress in its own right, all the better for the music scene. With the recent revival or the Django Reinhardt-Gypsy Jazz style of guitar-centered jazz we have experienced a good deal of music that sounds near to the Hot Club Paris ensembles that served to establish Reinhardt as the first bonafide European jazz innovator.
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